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Past venues

Museum Tsaritsyno, Moscow
Museum Tsaritsyno, Moscow

Voices

 

Started at Devon Guild of Craftsmen in Bovey Tracey and is accompanied by a new catalogue

 

The Devon Guild of Craftsmen, Bovey Tracey, UK 13th January - 26th February 2012

 

Quilt und Textilkunst, Munich, Germany, 19th May - 16th June 2012

 

Waterside Arts Centre, Sale, Manchester, UK, 28th July - 13th October 2012 (Voices Plus)

 

The Brindley, Cheshire, UK, 20th October - 20th November 2012

 

Farfield Mill, Sedbergh, Cumbria, UK, 19th Jan - 7th April 2013

 

New Brewery Arts, Cirencester, UK, 19th May - 7th July 2013

Quilt Art 22 – Under Construction

This exhibition opened on the 16th July 2007 at the Minerva Arts Centre in Llanidloes, Powys, Wales, UK.

A 96 page book accompanied the exhibition and focuses on the process of making, from original idea through to designing, layering and stitching.

 

Minerva Arts Centre, Llanidloes, Wales, 16th July- 15th September 2007

The Art Center Silkeborg Bad, Denmark, 10th November 2007- 3rd March 2008

Gloucester City Museum and Art Gallery, Gloucester, U.K. 26th April - 31st May 2008

MIAT Museum, Gent, Belgium. 21st June - 14th September 2008

Museum Rijswijk, Rijswijk, the Netherlands. 6th December 2008 - 11th January 2009

Cifrapalota, Museum and Pinacotek (Motley Palace), Kecskemét, Hungary, 30th January - 1st March 2009

Installation views from
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Installation views from  Quilt
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Installation views from  Quilt
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QA22HungarySandraMeechandEszters QA22HungaryDominieAnnandInge

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Quilt Art 20

An exhibition to celebrate the twentieth anniversary of the founding of Quilt Art. A book/catalogue produced for this occasion shows examples of each members work (current members at the time of the printing), both recent in the form of one or more quilts from the show as well as earlier work.

About Quilt Art 20:

'The Quilt Art group's international membership results in work ranging from responses to time, place and politics to formal explorations of colour, rhythm and process.  What unites them is a self-assurance in what they do.'  Dr Susan Marks, Selvedge, 2007.

 

'Diversity has always proved one of the group's greatest strengths, through makers' selection and employment of new and traditional techniques and materials and, of equal significance, their individual cultural heritages.'  Collins Gallery, Glasgow, 2005.

 

'The Quilt Art group ... has selectively absorbed relevant concerns from the wider textile and fine art context.'  Dr Stepahnie Brown, Textile Perspectives, 2005. 

 

Collins Gallery, Glasgow, U.K. 2nd July – 20th August 2005

Royal Cornwall Museum, U.K. 26th November – 30th December 2005

Bankfield Museum, Halifax, U.K. 7th January – 5th March 2006

Gloucester Museum, U.K. 18th March – 29th April 2006

Harley Gallery, Nottinghamshire, U.K. 13th May – 25rd June 2006

Stedelijk Museum, Roermond, The Netherlands, 17th September, 2006 - 7th January 2007

Budapest Gallery, Budapest, Hungary, 19th January - 4th March 2007

Nordwestdeutsches Museum für IndustrieKultur, Delmenhorst, Germany, 18th March - 20th May 2007

 

National Craft Gallery, Casltle Yard Kilkenny, Ireland, 9th June - 15th July 2007

Musée Textile de Haute-Alsace, Wesserling, France, 6th September – end of October 2007

‘International Quilt Week’ 2007,Yokohama, Japan, 8th - 10th November 2007

Burlington Art Center, Ontario, Canada, 2nd December 2007 - 27th January 2008

Textilsammlung Max Berk, Kurpfälzisches Museum Heidelberg, Germany, 24th February – 13th July 2008

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Installation views from the
Installation views from the

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Installation views from

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Quilt Art at 25

 

In 2010 Quilt Art had been in existence for 25 years. We were celebrating this with a major touring exhibition. A 96 page book accompanying this exhibition (and A Slice of Quilt Art) focuses on the studio work, the ideas and the making of the pieces.

Quilt Art at 25 - Textilsammlung Max Berk, Heidelberg 2011-2012

 


video: Mirjam Pet-Jacobs

Bankfield Museum, Halifax, UK 17th July - 29th August 2010

Michael West Gallery, Quay arts, Isle of Wight, UK 23rd October - 27th November 2010

The Quilt Museum, York, UK, 5th February - 2nd May 2011

Gloucester City Museum and Art Gallery, Cancelled due to museum refurbishment

Rhyl Library Arts Centre, Denbighshire, Wales, U.K. 11th June - 13th August 2011

Textilsammlung Max Berk · Kurpfälzisches Museum, Heidelberg, Germany, September 18th 2011 - March 18th 2012

The Hunt Museum, Limerick, Ireland. October 19th - November 16th 2012

 

A Slice of Quilt Art

 

This is an exhibition showing perhaps a slightly different side of Quilt Art's members. In a long, narrow format everyone is encouraged to experiment and take risks … Images from this exhibition is also featured in the above mentioned book.

A Slice of Quilt Art at Museum Rijswijk, 2011-2012

video: Mirjam Pet-Jacobs

Festival of Quilts, NEC, Birmingham, UK August 19-22 2010. See pictures below

Quilt und Textilkunst, Munich, Germany, November - December 2010

Festival Internacional de Patchwork Sitges, Sitges, Spain, 17th - 20th March 2011

Prague Patchwork Meeting, Prague, Czech, 1st - 4th April 2011

The Courthouse Arts Centre, Tinahely, Ireland, April 30th - May 28th 2011

Budapest Textile Museum, Budapest, Hungary, 25th August - 25th September 2011

Museum Rijswijk, the Netherlands, November 19th,2011 - January 8th 2012

De Kunstpraktjik, Veldhoven, the Netherlands, April 29th - June 9th 2012

Cowslip Workshops, St Stephens, Cornwall, UK, 31th August - 10th September 2012

De Schierstins, Veenwouden, the Netherlands, 26th January - 3rd March 2013

A Slice of Quilt Art at Festival of Quilts at the NEC, Birmingham August 2010

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Voices at Waterside Arts Centre

 

Quilt Art: International Expressions, US tour exhibit

(Quilt Art 20)

 

The exhibition created to celebrate the twentieth anniversary of the founding of Quilt Art. A book/catalogue produced for this occasion shows examples of each members work (current members at the time of the printing), both recent in the form of one or more quilts from the show as well as earlier work.Quilt Art 20 toured Europe from 2005 - 2008 with little detours to Japan and Canada Pictures from the the Canadian and Japanese venue can be seen further down on this page
Read an article from ARTES magazine about us – and we have heard that the exhibition had just under 34,000 visitors at Doylestown!

 

Minnetrista Cultural Center & Oakhurst Gardens, Muncie, IN, June 12th - August 29th 2010

Pensacola Museum of Art, Pensacola, Florida, September 12th - November 7th 2010

Taubman Museum of Art, Roanoke, Virginia, OR, February 4th - April 24th 2011

Oregon Historical Society, Portland, Oregon, July 1st - August 29th 2011

James A. Michener Art Museum, Doylestown, Pennsylvania, September 10th 2011 - January 1st 2012

Edsel & Eleanor Ford House, Gross Point Shore, MI, January 26th - March 25th, 2012

The Karl and Helen Burger Gallery, Union, NJ, January 24th - April 4th, 2013

The Sioux City Arts Center, Sioux City, Iowa, November 9th, 2013 - January 5th, 2014

Quilt Art in Russia

 

‘In Search of Perfection – Textile Arts of Western Europe and Japan’
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Tsaritsyno Museum, Moscow, Russia

20th November 2013 - 10th February 2014


This exhibition was featuring over 70 textile artworks made over the last four years in the Bread House, a part of the State Historical, Architectural, Art and Landscape Museum-Reserve ‘Tsaritsyno’ in Moscow. It was the largest Quilt Art exhibition we have ever shown and the first time we were exhibiting in Russia. It celebrateted the diversity and distinctiveness of artistic vision combined with technical excellence.

 

After preparations of more than a year, Inge Hueber, Eszter Bornemisza and Mirjam Pet-Jacobs went to Moscow to attend the opening of our 73 works containing exhibition (QA25, A Slice and Voices), to hold some talks at a symposium and to give workshops.

In 11 consecutive halls the museum exhibited the large QA exhibition and, in the last hall, a small solo show of works in the Mola technique by the Japanese artist Fumiko Nakayama. Her work was executed and presented beautifully but unfortunately there was little artistic connection with the QA works.

 

A small opening hall showed information about all artists hung on the walls and above a long plinth covered with sand, representing their path of development. Each hall was filled by one, two or three of us, interesting combinations yet always in harmony. Good use was made of long sand-covered plinths and light boxes that showed off some artworks. In the centre hall one could hear melodious sounds, composed by Alexander Marchenko, who was also responsible for the musical composition of the opening performance.

 

Each hall was filled with its own energy, ranging from quiet meditation to resounding emotions. The high ceilings gave every exhibit a serene and almost sacral atmosphere. It was obvious that there were 21 (including the Japanese artist) highly personal voices echoing the souls of the makers.

 

In her opening speech Russian artist Mila Vvedenskaya who had designed the exhibition. expressed her sincere gratitude and thankfulness to have been able to work so intensely with the artworks; she had come to feel very deep friendship with the QA artists: “Our souls are following the same flow. The artists show the world in many aspects and not only their personal lives. Used materials and techniques are unique and personal. All the produced stitches are able to fill the viewer with energy. The work definitely can hold up the art level found in painting, sculpture and other mediums.”

The exhibition is accompanied by a full-colour 128 p. catalogue with all artworks.

 

The venue itself is overwhelming and the Russian organised a stunning opening performance. …